
Vienna,2007

The following is from an interview of Andy Warhol superstar, Mary Woronov, by Donald Lyons that appeared in the May 1973 issue of Interview magazine: Mary Woronov: I danced with Lou Reed. Gerard Malanga and I did a nice bunch of boot-licking and whip things with the Exploding Plastic Inevitable. I was tough, hard.
Donald Lyons: Chelsea Girls was your first film?
Mary Woronov: No I did Hedy Lamarr and something with Tiger Morse and something with Mario Montez.
Donald Lyons: Then you did a lot of Theater of the Ridiculous, right?
Mary Woronov: I loved it. It's like a game. For that, you have to be a personality more than an actor - a personality who can be fantastic...
Donald Lyons: What kind of roles did you play?
Mary Woronov: In Nightclub I was a man; in Conquest Of The Universe I was sexless; in Kitchenette I was a fag hag. I was always strong.
Donald Lyons: Then you married Ted (Gershuny) and you made movies for him?
Mary Woronov: Yeah, the first one we made in Italy; it's called Kenek; it's about mind-fucking; I'm the girlfriend of the evil-er man. The producer died of cancer and now it all belongs to his grandmother or aunt. Then back in New York, we made Silent Night Bloody Night. It's a small-town horror movie. At the end I'm the only survivor; it's my only victim part. It's a really gory movie. Candy Darling does a tango and gets ripped apart. It's going to be in New York in a month or so.
Donald Lyons: Then came Sugar Cookies... and after that anything?
Mary Woronov: I did something in Canada called Queen Of Evil. I play a victim again. I'm a high-class model. her mind goes and all that's left of her is her body, and she does much better on that.
Donald Lyons: And that's your latest?
Mary Woronov: No, then I did a comedy-western in Atlanta, Georgia. God, six weeks on Buford Highway. Troy Donahue is in it. I play a saloon-keeper, the female lead - I almost said male. Listen, you gotta mention the producer, Michael Thevis. He was fantastic. I hear MGM may take it...
Donald Lyons: Did you ever study acting?
Mary Woronov: No, no, never. Anything I've studied I've hated. I studied art for years in Cornell and I can't walk in a museum now. You can't go to school to be in the movies... You're better off going to Max's and practicing there.
Donald Lyons: Let's talk about Sugar Cookies. You picked that song Sally Go Round The Roses for the scene where you seduce the girl, right?
Mary Woronov: Yeah, I love that song. And it works good for two girls.
Donald Lyons: You like the movie?
Mary Woronov: Oh, yeah. It's about sex and murder; sex and violence. I love that. Movies like Dracula I love. I like scaring people. Another thing - I like sex and repression. I hope repression comes back... The fifties - I like the fifties. The sixties, ugh; when the flower children hit, forget it. All this Bob and Sam and Jim and Alice - all so open and honest - it's so boring...
Donald Lyons: What superstars do you like?
Mary Woronov: Marlene Dietrich, man. And Ava Gardner, I like her. And Rita what's-her-name. I sort of like the Wasp girls, like Grace... Dietrich is the best...
Donald Lyons: Any men?
Mary Woronov: I don't know. Dustin Hoffman is very good, but I'd rather watch Clint Eastwood...
Donald Lyons: In Sugar Cookies, you're a lesbian. Does that work for your image?
Mary Woronov: In a strange way, yes... Really straight men come up and tell me how great it was. They want in on it... And also, it turns chicks on too... The frightening thing about that movie is her lack of affection - that scares people.
Donald Lyons: What's on your griddle next?
Mary Woronov: Ted's going to do a detective movie about a cop who's very violent. I play his wife. She likes him because of that violence.
Donald Lyons: Any theater?
Mary Woronov: Yeah, I'm playing the Queen of the Amazons in this play The Two Noble Kinsmen that's supposed to be half by Shakespeare. It's at the Mercer in March. Then maybe Kitchenette down there. It's a good place. You get reviewed there.
Donald Lyons: So you're gonna be a star?
Mary Woronov: Of course I am, my dear.
Mary Woronov with Steve Rubell
at The Factory 1968
(photo: Billy Name)
NIGHT, the world's most avant-garde/sophisticated/provocative periodical. NIGHT, the ultimate scripture. NIGHT, the supreme oracle of current and future trends in art/fashion/literature/nightlife. NIGHT, the original nightlife magazine. NIGHT history lesson. NIGHT born in 1978. During the disco-nightclub era of Studio 54, Xenon, Club A, Regines, The Continental, Hurrah's, Danceteria, Pravda, etc., NIGHT was there.
Monocle Magazine have announced their annual index of most liveable cities. Zurich comes in top place mainly for its vast investment in transport; Copenhagen is second for its mix of metropolitan life, great healthcare, low crime rates and a relaxed vibe; at 3, Monocle describes Tokyo as the world’s most livable megapolis and praises the city’s commitment to plant 1 million trees; 4th is Munich which blends history and innovation with ease and is generally a good place to do business; and Helsinki comes 5th partly because it has no Starbucks. Here’s the full list:
... a love-letter to London, to the wet neon flicker of late-night pavements, electric with endless possibility, and the soft dishevelled beauty of the city’s dawn... to the overheard stories and unexplored histories, the facts and the fictions, the accidental poetry and fugitive art of graffiti-slashed suburban stations and rain-splashed shopfronts... the out-of-shot lives half-glimpsed from a train window, or from a phone number scrawled on the back of a Travelcard, dropped on the night-bus stairs...
Jenny Talia was an Austrian born Librarian turned Private Detective who was hired by then NYC Mayor Don Knotts to find "The Hottest Nightclubs in the Metro Area" by fledgling publication Time Out New York in 1974. After 6 years of faithful service Jenny was caught smuggling illegal cheese products into the Northern areas of Queens and was thought of from that point on as a "flashlight without a button to turn it on". Current whereabouts unknown.

